Basic principles of author’s Creativity In the works FE oDOR Кrestjanin

Authors

  • Nikolaj Pavlovich Parfentiev South Ural State University
  • Natal'ja Vladimirovna Parfentjeva South Ural State University

Keywords:

древнерусское певческое искусство, авторские произведения, общие и ав- торские принципы творчества, метод структурно-формульного анализа, Фёдор Крестьянин.

Abstract

The study of peculiarities of creativity in terms of the medieval canon of art is one of the most
complex scientific problems. The general principles of creativity were formed over the centuries. The authors of article have examined their effect on the example of the outstanding Moscow raspevschik (chant master) Feodor Krestjanin’ works. These universal artistic principles are the melody variability inside the formula, the formula-transformation and formula- renovation variabilities, creativity on the base of the archetype, creation chants “similar to” the reference of pattern and others. The scientists have shown originality of refraction of some of these principles in the author’s works of master. The researchers used a proprietary developed by them method of structurally formulae analysis of ancient chants. This method requires that you must take into account the author’s melodic content of neumatic signs and formulas of the author chants

Author Biographies

Nikolaj Pavlovich Parfentiev, South Ural State University

South Ural State University, Chelyabinsk, Russian Federation

Natal'ja Vladimirovna Parfentjeva, South Ural State University

South Ural State University, Chelyabinsk, Russian Federation

References

Александр Мезенец и прочие. Извещение... желающим учиться пению (1670 г.) / Введение, публ., перев. и историч.

исслед. Н. П. Парфентьева; комментарии и исслед. памятника З. М. Гусейновой. — Челябинск : Челяб. Дом печати,

— 584 с.

БРАН. Строг. № 44.

ГИМ. Единов. № 37.

ГИМ. Синод. № 279 (XII в.).

ГИМ. Син. пев. № 1357.

Issue

Section

Art History