Preparing and conducting of musical reform in Russia of 1650–1670-ies

Authors

  • Nikolai Pavlovich Parfentjev South Ural State University, Chelyabinsk, Russian Federation

DOI:

https://doi.org/10.14529/ssh170311

Keywords:

Old Russian church chanting art, razdelnorechie, correction of singing books, commission of didascaloi (musicians-theoreticians)

Abstract

In this paper the author examines the practical activities of the authorities in organizing of special
commissions, in order to eliminate negative phenomena in church chanting and carry out its reform.
The commissions consisted of leading masters of church singing art. The researcher, on the basis
of documentary and narrative sources, was able to clarify the dates of work and the names of the
members of the commissions, to reveal the general results of their activities.

Author Biography

Nikolai Pavlovich Parfentjev, South Ural State University, Chelyabinsk, Russian Federation

South Ural State University, Chelyabinsk, Russian Federation

References

Acty, sobrannye v bibliotekakh i arkhivakh Rossiyskoy

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and archives of the Russian Empire by Archaeographic

expedition.], v. 4. St. Petersburg, 1836.

Alexander Mezenetz i prochii. Izveschenie… zhelayuschim

uchit’sya peniyu (1670) [Alexander Mezenets and others.

Notification… to those who wish to learn singing (1670)].

Publ. N. P. Parfentiev, Z. M. Guseynova. Chelyabinsk, 1996.

Azbuka znamennogo peniya (Izveschenie o soglasneyshikh

pometakh) startsa Alexandra Mezentsa (1668-go goda).Izd. S. V. Smolensky [Textbook of plain chant (Notification

of agreed marks) of the Elder Alexander Mezenets (1668).

Published by S. V. Smolensky]. Kazan’, 1888.

Bessonov, P. A. Sud’ba notnikh pevcheskich knig [The

fate of chant books]. Pravoslavnoe obozrenie [Orthodox

outlook]. Moscow, 1864. № 5.

BRAN. Arkhang. № 30.

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Section

Art History